Anyone interested in contemporary music sooner or later asks the query, "Where did it begin?" Effectively, if you leave blues guitar music out, you will not have much of an answer. So let us look at where the blues came from, where it went and who it met on the way. We will also take a look at the "blues guitar sound" and how it has its special effect on our feelings.
The blues as a musical phenomenon started around 1911 when W.C. Handy published well-known songs, notably "Memphis Blues" and "St Louis Blues", which affected the hearts and souls of the black folks.killer guitar control secrets By the nineteen twenties the common population were beginning to hear this new music through its influence on jazz. Early blues singers like Bessie Smith and Billie Vacation sang with jazz bands even though other people played with "jug bands" accompanied by fiddle, kazoo and washboard.
Of course to individuals like W. C. Handy who were brought up singing in church, the piano was the organic instrumental accompaniment to their songs. But the guitar is portable and constantly was common so it had to have a spot in blues and jazz. Blues guitar players like twelve string guitarist Leadbelly and future electric guitar player B.B. King were producing positive the guitar would be an integral part of the blues. Other blues guitarists produced their living in smoky saloons playing slide guitar utilizing a bottle neck or the blade of a knife to fret the notes.
Right after the Second Planet War young artists like Elvis Presley and Bill Haley were wrapping the blues in a new package named "rock'n'roll" and the players of the electric blues guitar like B.B. King had been heralding the arrival of the lead guitar, soon to be a wonderful attraction for each musicians and audiences. Throughout the evolution of the blues the guitar had always taken its turn for solos in jazz bands but now it competed with the singer for the consideration of the audience.
Blues guitar can be played in any key that requires your fancy and comes in three simple forms: eight bars, for instance "Heartbreak Hotel", sixteen bars like "Saint James Infirmary" and twelve bars like "St. Louis Blues". For some cause the twelve bar blues kind is way far more singer-friendly and well-known with audiences than the other two, and it is the basis of several great songs outside the blues idiom.
If you go poking around the internet you will discover that the blues scales are just your garden range main and minor scales except that the third, fifth and seventh notes are played flat. Nonetheless, you may be astonished to discover that blues players managed for centuries with out being aware of about European musical theory. They learnt to sing and play from their families and pals just as several of the young white blues players of the nineteen sixties learnt from imitating the artists they heard on records.
And this is where the blues requires one more direction. Immediately after years of imitating their idols one thing odd occurred to the white blues guitar players in Britain and the USA. They created their personal authentic, original designs. The older blues players even started making use of the new arrangements of classic songs and adopting some of the unbluesy musical innovations introduced by young white guitarists like Eric Clapton. So the beat goes on. A foreign culture influences American well-known music and in turn gets fresh input from a new generation of guitar players from all over the world.
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